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Screen printing is a printing technique where a mesh is used to transfer ink (or dye) onto a substrate, except in areas made impermeable to the ink by a blocking stencil.A blade or squeegee is moved across the screen in a "flood stroke" to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact.
In 1939, Velonis, Warsager and other artists co-founded the Creative Printmakers Group in New York City. [20] [21] About this group, Sylvie Covey wrote in Modern Printmaking: A Guide to Traditional and Digital Techniques: "The group's shared screen-printing studio introduced the silkscreen process to many serious artists who went there to have editions printed.
Citing the pioneering efforts of artist Anthony Velonis, who initially spearheaded the use of the silk screen technique in the Poster Division of the W.P.A., for recognizing the possibilities of the medium, Warsager noted that the 'economy and ease of this process enabled the artist to employ sixteen to twenty colors to a print, whereas color ...
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Nuvolo primarily became Burri's collaborator at his Via Margutta studio, matching his work as an advertising artist with a first series of screen printing, the first foray into the field of visual arts. Although silk screen tools were very poor at the times, he was the first in Italy, to adopt this technique for artistic goals.
In this case the silk frequently must be prepared in alizarine oil, after which it is treated in all respects like cotton, namely steamed, washed and soaped, the colours used being the same. [10] Silk is especially adapted to discharge and reserve effects. Most of the acid dyes can be discharged in the same way as when they are dyed on wool.