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Bach composed the cantata in 1723 in Leipzig to be used for the eighth Sunday after Trinity. He led the first performance on 18 July 1723. He led the first performance on 18 July 1723. The work is part of Bach's first annual cycle of church cantatas ; he began to compose cantatas for all occasions of the liturgical year when he took up office ...
Was mein Gott will, das g'scheh allzeit (What my God wants, may it always happen), [1] BWV 111, is a cantata by Johann Sebastian Bach for use in a Lutheran service. He composed the chorale cantata in Leipzig in 1725 for the third Sunday after Epiphany and first performed it on 21 January 1725, as part of his chorale cantata cycle.
Jesu, nun sei gepreiset BWV 41 Chorale cantata by J. S. Bach Thomaskirche, Leipzig Occasion New Year's Day Chorale "Jesu, nun sei gepreiset" by Johannes Hermann Performed 1 January 1725 (1725-01-01): Leipzig Movements 6 Vocal SATB choir and solo Instrumental 3 trumpets timpani 3 oboes 2 violins viola violoncello piccolo da spalla continuo Jesu, nun sei gepreiset (Jesus, now be praised), BWV 41 ...
Bach composed the cantata in Leipzig in his second annual cycle for the Fifth Sunday after Easter, called Rogate.The prescribed readings for the Sunday were from the Epistle of James, "doers of the word, not only listeners" (James 1:22–27) and from the Gospel of John, from the Farewell Discourse of Jesus, "prayers will be fulfilled" (John 16:23–30). [2]
Bach structured the cantata in five movements, with two choral movements framing a sequence of recitative–aria–recitative. Bach scored the work for three vocal soloists (alto, tenor, bass), a four-part choir and a Baroque instrumental ensemble of three trumpets (Tr), timpani (Ti), two flauti traversi (Ft), two oboes (Ob), two violins (Vl), viola (Va) and basso continuo. [10]
Bach wrote the chorale cantata in his second year in Leipzig for the First Sunday after Epiphany. [2] [3] The prescribed readings for the Sunday were taken from the Epistle to the Romans, speaking of the duties of a Christian (Romans 12:1–6), and from the Gospel of Luke, the finding in the Temple (Luke 2:41–52).
The duration of the cantata is given as 20 minutes. [9] Bach would later use the pair of horns in Part IV of his Christmas Oratorio. [10] In the following table of the movements, the scoring, keys and time signatures are taken from Alfred Dürr's standard work Die Kantaten von Johann Sebastian Bach. [11] The continuo, which plays throughout, is ...
Bach wrote the cantata in his second year in Leipzig for the Sunday Exaudi, the Sunday after Ascension.The prescribed readings for the feast day were from the First Epistle of Peter, "serve each other" (1 Peter 4:8–11), and from the second Farewell Discourse in the Gospel of John, the promise of the Paraclete, the "Spirit of Truth", and the announcement of prosecution (John 15:26–16:4).