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A self-portrait of a colorless, but youthful, rounded oval face, in full-frontal view, emerges from a reddish-brown, textured, but indistinct background; the eyes of the face are open but the body belonging to the face is abstract, blurred by pencil strokes and the color of sepia ink; [1] the clothing worn by the subject is indistinguishable as it dissolves into the background with each pencil ...
In a letter to Gauguin dated October 3, 1888, Van Gogh describes himself in the self-portrait as "a character of a bonze, a simple worshiper of the eternal Buddha". [ 16 ] [ 17 ] Compared to Gauguin's more traditional Self-Portrait Dedicated to Carrière (1888 or 1889), the self-portrait painted at Le Pouldu is more "sinister".
Max Beckmann was a prolific painter of self-portraits [26] as was Edvard Munch who made great numbers of self-portrait paintings (70), prints (20) and drawings or watercolours (over 100) throughout his life, many showing him being badly treated by life, and especially by women. [27]
Additionally, though the drawing on which Schwartz based the comparison is held to be a self-portrait, there is no firm historical evidence to support this theory. [ citation needed ] In a similar experiment, Schwartz used a custom ray-tracing program to investigate the perspective anomalies in the drawing of da Vinci's fresco painting of the ...
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The drawing is estimated to have been drawn c. 1510, possibly as a self-portrait by Leonardo da Vinci.In 1839, it was acquired by King Carlo Alberto of Savoy. [2] The assumption that the drawing is a self-portrait of Leonardo was made in the 19th century, based on the similarity of the sitter to the possible portrait of Leonardo as Plato in Raphael's The School of Athens [2] and on the high ...
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Triple Self-Portrait is an oil painting on canvas measuring 34.5 by 44.5 inches (88 cm × 113 cm). [2] Set in a white void, it depicts a rear-view Rockwell sitting at an easel producing a self-portrait.