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En plein air painter on the Côte d'Argent in Hourtin, France. En plein air (pronounced [ɑ̃ plɛ.n‿ɛʁ]; French for 'outdoors'), or plein-air [1] painting, is the act of painting outdoors. This method contrasts with studio painting or academic rules that might create a predetermined look.
The painting was made quickly, en plein air, on an easel at the beach, with the wind whipping up sand and nearly blowing Van Gogh off his feet. He managed to scrape most of the wind-blown sand off the thick wet painting, but some remains.
The largest easels are studio easels, with some being able to support panels weighing over 200 pounds and measuring over 7 feet in height. Field easels or plein air easels [4] are meant to be portable for the creation of en plein air work. These easels are usually midsize or small, have telescopic or collapsible legs and are based on the tripod ...
On a blustery day, Van Gogh set up his easel and painted "plein-air" (in the open air) at a beach resort, Scheveningen, near The Hague to paint View of the Sea at Scheveningen (F4). While Impressionists are often given credit for painting outdoors, they were not the first to do so. Most, however, made sketches on the spot and worked on the ...
The Pre-Raphaelite Brotherhood made special efforts in this direction, but it was not until the introduction of ready-mixed oil paints in tubes in the 1870s, followed by the portable "box easel", that painting en plein air became widely practiced.
Julian Rossi Ashton CBE (27 January 1851 – 27 April 1942) was an English-born Australian artist and teacher. He is best known for founding the Julian Ashton Art School in Sydney and encouraging Australian painters to capture local life and scenery en plein air, greatly influencing the impressionist Heidelberg School movement.