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"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
In 1947, Fiske filed a lawsuit against Cary Grant and Alfred Hitchcock for infringing upon Hamlet in Modern English. In 1945, Hitchcock had announced plans to make a modern-language version of Hamlet. Although the project was dropped, Fiske claimed Hitchcock and Grant had plagiarized Fiske's concept, and sought damages of $1.25 million (later ...
William Shakespeare's play Hamlet has contributed many phrases to common English, from the famous "To be, or not to be" to a few less known, but still in everyday English. Some also occur elsewhere (e.g. in the Bible) or are proverbial. All quotations are second quarto except as noted:
Hamlet: Peter Verstegen Amsterdam: 2018 9789025370527, 9025370527 1079229341 Estonian Taani Prints Hamlet: A.F. Tombach-Kaljuvald Tartu: 1930 924373442 Finnish Hamlet: Paavo Cajanderin Charleston: 2014 9781502465009 German Hamlet: Norbert Greiner Tübingen: 2006 9783860575673 214348716 Haitian Creole Hamlèt (Prens Denmak) Nicole Titus ...
Hamlet is one of the most-quoted works in the English language, and often included on lists of the world's greatest literature. [4] As such, it has proved a pervasive influence in literature. For instance, Henry Fielding's Tom Jones, published about 1749, merely describes a visit to Hamlet by Tom Jones and Mr Partridge. [5]
The Dead Fathers Club, a novel by Matt Haig, retells the story of Hamlet from the point of view of an 11-year-old boy in modern England. [80] Anton Chekhov wrote a feuilleton titled I am a Moscow Hamlet (1891), the mutterings of a gossip-mongering actor who contemplates suicide out of sheer boredom. [81]
An English version, The Hystorie of Hamblet, was published in 1608. An English stage version, conventionally known as the Ur-Hamlet, appeared by 1589. The play is lost but is mentioned in a few other sources, the first being Thomas Nashe's 1589 preface to Robert Greene's Menaphon. William Shakespeare wrote his play Hamlet sometime between 1599 ...
Academic Laurie Osborne identifies the direct influence of Hamlet in numerous modern narratives, and divides them into four main categories: fictional accounts of the play's composition, simplifications of the story for young readers, stories expanding the role of one or more characters, and narratives featuring performances of the play. [146]