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A modern replica of a hangaroc. A hangaroc (sometimes spelled hangerock or hangerok) was an apron-like outer garment [1] worn by women of Norse origins and some other northern European cultures in the 8th, 9th and 10th centuries.
Women's clothing in Western Europe went through a transition during the early medieval period as the migrating Germanic tribes adopted Late Roman symbols of authority, including dress. In Northern Europe, at the beginning of the period around 400 - 500 AD in Continental Europe and slightly later in England, women's clothing consisted at least ...
The Vikings were often depicted with winged helmets and in other clothing taken from Classical antiquity, especially in depictions of Norse gods. This was done to legitimise the Vikings and their mythology by associating it with the Classical world, which had long been idealised in European culture.
Gold jewellery from the 10th century Hiddensee treasure, mixing Norse pagan and Christian symbols. Pair of "tortoise brooches," which were worn by married Viking women. Viking art, also known commonly as Norse art, is a term widely accepted for the art of Scandinavian Norsemen and Viking settlements further afield—particularly in the British Isles and Iceland—during the Viking Age of the ...
Viking landing at Dublin, 841, by James Ward (1851-1924). Knowledge about military technology of the Viking Age (late 8th to mid-11th century Europe) is based on relatively sparse archaeological finds, pictorial representations, and to some extent on the accounts in the Norse sagas and laws recorded in the 12th–14th centuries.
Þorbjörg lítilvölva ('Thorbjörg little-völva; c. 10th century CE) was a renowned seeress (völva) in Norse colonial Greenland during the late Viking Age.She is featured in the Saga of Erik the Red and her description is the most detailed presentation of seeress behavior, associated customs, and material culture – such as her distinctive clothing and use of a wand – found in the sagas ...