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Elsa Martinelli (born Elisa Tia; 30 January 1935 [1] – 8 July 2017) was an Italian actress and fashion model.Described by The Guardian as a "versatile star of Hollywood’s international years whose work spanned romantic comedies, period epics and spaghetti westerns", she went on to star opposite Kirk Douglas, John Wayne, Robert Mitchum, Charlton Heston, and Anthony Quinn, be directed by ...
Rampage is a 1963 American adventure film starring Robert Mitchum, Elsa Martinelli and Jack Hawkins. Directed by Phil Karlson , it was based on the 1961 novel of the same name by Alan Caillou . The film features a musical score by Elmer Bernstein .
Manon 70 is a 1968 drama film directed by Jean Aurel, and starring Catherine Deneuve, Elsa Martinelli, Sami Frey, Robert Webber, Paul Hubschmid and Jean-Claude Brialy. The screenplay by Aurel and Cécil Saint-Laurent is loosely based on the 1731 novel Manon Lescaut by Antoine François Prévost. The original music was composed by Serge Gainsbourg.
Charles Boyer and Elsa Martinelli The Rogues is an American television series that aired on NBC from September 13, 1964, to April 18, 1965, starring David Niven , Charles Boyer , and Gig Young as a related trio of former con men who could, for the right price, be persuaded to trick a very wealthy and heinously unscrupulous mark .
The Belle Starr Story/Il mio corpo per un poker is a 1968 Italian made episodic Bonnie and Clyde type Spaghetti Western co-written and co-directed by Lina Wertmüller and starring Elsa Martinelli who also sings the title song.
The 10th Victim (Italian: La decima vittima) is a 1965 science fiction film directed and co-written by Elio Petri, starring Marcello Mastroianni, Ursula Andress, Elsa Martinelli, and Salvo Randone. An international co-production between Italy and France, it is based on Robert Sheckley's 1953 short story "Seventh Victim".
Chris Hemsworth’s wife, Elsa Pataky, makes a surprise cameo in Furiosa: A Mad Max Saga, playing not one but two characters.. Hemsworth, 40, leads the dystopian action film alongside Anya Taylor ...
Beside Elsa Martinelli's weakly inadequate lost waif, much of the power of Howard's acting is lost and it appears to be projected in vacuo. ... Otto Heller's camerawork is particularly fine, giving the film a visual quality which ultimately serves to expose a lack of distinction elsewhere."