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Wilde wrote about aesthetic dress movement in his recently rediscovered treatise The Philosophy of Dress. Aesthetic dress of the 1880s and 1890s carries on many of the external characteristics of Artistic dress (rejection of tightlacing in favour of simplicity of line and emphasis on beautiful fabrics), even though, at its core, Aestheticism ...
Ada Nettleship (born Adaline Cort Hinton; 1856 – 19 December 1932) was a British dressmaker and costume designer known for working at the forefront of the Aesthetic dress style and the rational dress movement.
1837 dress. During the start of Queen Victoria's reign in 1837, the ideal shape of the Victorian woman was a long slim torso emphasised by wide hips. To achieve a low and slim waist, corsets were tightly laced and extended over the abdomen and down towards the hips. [4]
Standing woman in a white dress with leg o'mutton sleeves. By René Schützenberger, 1895.. Fashionable women's clothing styles shed some of the extravagances of previous decades (so that skirts were neither crinolined as in the 1850s, nor protrudingly bustled in back as in the late 1860s and mid-1880s, nor tight as in the late 1870s), but corseting continued unmitigated, or even slightly ...
This natural figure was emphasized by being able to see the body beneath the clothing. Visible breasts were part of this classical look, and some characterized the breasts in fashion as solely aesthetic and sexual. [5] This era of British history is known as the Regency period, marked by the regency between the reigns of George III and George IV.
Alice Vansittart Comyns Carr (née Strettell; 1 January 1850 – 11 October 1927), was a British costume designer whose work is associated with the Aesthetic dress movement. [ 1 ] Early life and family