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Japanoise (ジャパノイズ, Japanoizu), a portmanteau of "Japanese" and "noise", is the noise music scene of Japan. [1] [2]Nick Cain of The Wire identifies the "primacy of Japanese Noise artists like Merzbow, Hijokaidan and Incapacitants as one of the major developments in noise music since 1990.
Land of the Rising Noise: Charnel Music 1993 "Live at La Mama" Kingdom of Noise: Endorphine Factory 1994 "Random Canoe Inspection" Extreme Music from Japan: Susan Lawly 1995 "Setting Up" The Japanese / American Noise Treaty: Release: 1995 "Live at Fandango, Osaka "Alchemy Records 10th Anniversary" 3rd Sept. 1994" Good Alchemy Video: Alchemy ...
Akifumi Nakajima (中嶋昭文, Nakajima Akifumi) (January 13, 1959 – September 25, 2013), better known by his stage name Aube, was a Japanese noise musician.He released many CDs, LPs and cassettes, and was regarded as one of the most important noise musicians of his time.
Project Name In Japanese Artists Involved Artists' Names In Japanese Acid Mothers Temple [1] [2] Kawabata Makoto 河端 一 Astro: アストロ Hiroshi Hasegawa 長谷川洋 Aube: オウブ Akifumi Nakajima 中嶋昭文 Boredoms [3] ボアダムス Yamatsuka "Eye" Tetsuro, Yamamoto Seiichi, Yoshimi P-We
Incapacitants, alongside Hijokaidan, Merzbow, C.C.C.C., Solmania, Hanatarash, the Gerogerigegege, and Masonna, are counted among the more well-known Japanese noise bands formed in the 1980s. In November 1999, Incapacitants performed their first international concert at Music Unlimited Festival '99 in Wels , Austria .
Hijōkaidan (非常階段, emergency staircase) is a Japanese noise and free improvisation group with a revolving lineup that has ranged from two members to as many as fourteen in its early days. The group is the project of guitarist Jojo Hiroshige ( JOJO広重 ) , its one constant member, who is head and owner of the Osaka -based Alchemy Records.
Maso Yamazaki (山崎マゾ, Yamazaki Maso), better known by his stage name Masonna, is a Japanese noise musician. He was born Takushi Yamazaki (山崎卓志, Yamazaki Takushi) on November 16, 1966, in Miyazu, Kyoto, Japan. Masonna (マゾンナ) was started in 1987 in Osaka as Maso Yamazaki's noise project.
Group Ongaku is regarded as the first improvisational music and sound collective in Japan. Group Ongaku's aim was to re-evaluate improvisational elements in music, which had been lost in Western music since the Baroque era; its members sought to rediscover the meaning of music, which they thought had been minimized. [6]