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An example of the Ponzo illusion. Both of the horizontal yellow lines are the same length. The Ponzo illusion is a geometrical-optical illusion that takes its name from the Italian psychologist Mario Ponzo (1882–1960). Ponzo never claimed to have discovered it, and it is indeed present in earlier work.
There are three kinds of asymptotes: horizontal, vertical and oblique. For curves given by the graph of a function y = ƒ(x), horizontal asymptotes are horizontal lines that the graph of the function approaches as x tends to +∞ or −∞. Vertical asymptotes are vertical lines near which the function grows without bound.
The Vertical-horizontal illusion is the tendency for observers to overestimate the length of a vertical line relative to a horizontal line of the same length. Vista paradox: Visual tilt effects: Wagon-wheel effect: White's illusion: Wundt illusion: The two red vertical lines are both straight, but they may look as if they are bowed inwards to ...
p2mm: TRHVG (translation, 180° rotation, horizontal line reflection, vertical line reflection, and glide reflection) Formally, a frieze group is a class of infinite discrete symmetry groups of patterns on a strip (infinitely wide rectangle), hence a class of groups of isometries of the plane, or of a strip.
The widely accepted interpretation of, e.g. the Poggendorff and Hering illusions as manifestation of expansion of acute angles at line intersections, is an example of successful implementation of a "bottom-up," physiological explanation of a geometrical–optical illusion. Ponzo illusion in a purely schematic form and, below, with perspective clues
The word line may also refer, in everyday life, to a line segment, which is a part of a line delimited by two points (its endpoints). Euclid's Elements defines a straight line as a "breadthless length" that "lies evenly with respect to the points on itself", and introduced several postulates as basic unprovable properties on which the rest of ...
The word horizontal is derived from the Latin horizon, which derives from the Greek ὁρῐ́ζων, meaning 'separating' or 'marking a boundary'. [2] The word vertical is derived from the late Latin verticalis, which is from the same root as vertex, meaning 'highest point' or more literally the 'turning point' such as in a whirlpool.
A line's angle and its relationship to the frame's size influence the perspective of the image. Horizontal lines, commonly found in landscape photography, can give the impression of calm, tranquility, and space. An image filled with strong vertical lines tends to have the appearance of height and grandeur.