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Beat, Beat, Beat (1959) by William F. Brown. Beatniks were members of a social movement in the mid-20th century, who subscribed to an anti-materialistic lifestyle. They rejected the conformity and consumerism of mainstream American culture and expressed themselves through various forms of art, such as literature, poetry, music, and painting.
The Beat Generation was a literary subculture movement started by a group of authors whose work explored and ... Girls Who Wore Black: Women Writing the Beat ...
Beat Girl is a 1960 British teen exploitation drama film directed by Edmond T. Gréville.The film was released in the United States under the title Wild for Kicks. [2]The title character of Beat Girl was played by starlet Gillian Hills, who later went on to have numerous small roles in 1960s and 1970s films, such as Blowup (1966) and A Clockwork Orange (1971), and became a successful "ye-ye ...
“Visually they are a nightmare: tight, dandified, Edwardian-Beatnik suits and great pudding bowls of hair,” Newsweek sneered in a contemporaneous cover story quoted at length onscreen ...
Modern actors dressed as 1950s Russian Beatniks or Stilyagi. In the early to mid 1950s, the precursor to the 1960s hippies emerged in New York. Black roll neck sweaters, sandals, sunglasses, striped shirts, horn rimmed glasses, and berets were popular among Beatniks of both sexes, and men often wore beards. [72]
Brigitte Bond, also known as Brigitte St. John (born ca. 1944, fl. 1964–1976), was a ska singer, actress and cabaret performer, whose 1964 photo with Prince Buster inspired the Beat Girl logo of ska band the Beat.
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An initial candidate troupe was the existing BBC TV Beat Girls, but an ex-dancer from the Beat Girls, Jo Cook, was eventually engaged to create a troupe, the all-female Go-Jos, [2] [3] with Cook as choreographer.