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The Blue Period (Spanish: Período Azul) comprises the works produced by Spanish painter Pablo Picasso between 1901 and 1904. During this time, Picasso painted essentially monochromatic paintings in shades of blue and blue-green, only occasionally warmed by other colors. These sombre works, inspired by Spain and painted in Barcelona and Paris ...
The Blue Period is identified by the flat expanses of blues, greys and blacks, melancholy figures lost in contemplation, and a deep and significant tragedy. After the Blue Period came Picasso's Rose Period, and eventually the Cubism movement which Picasso co-founded. [1]
The scientific study also revealed how Picasso not only changed the figures over the course of several versions of the painting, but also changed the tonality. The original image was predominantly blue but Picasso changed this to rose and allowed the blue shades to show through the paint as he made changes to the painting.
Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 × 73.6 cm, Museum of Modern Art, New York. Cubism is an early-20th-century avant-garde art movement begun in Paris that revolutionized painting and the visual arts, and influenced artistic innovations in music, ballet, literature, and architecture.
Reyes Jiménez de Garnica, Malén Gual (Edd.), Journey through the Blue. La Vie (Catalogue of the exhibition celebrated at Museu Picasso, Barcelona, October 10, 2013 to January 19, 2014). Institut de Cultura de Barcelona: Museu Picasso, Barcelona 2013. ISBN 978-84-9850-494-1
The Blue Room (French: La chambre bleue) is a 1901 oil on canvas painting by Pablo Picasso, which he painted during his Blue Period. It depicts a scene of a nude woman bending over in a bath tub. It depicts a scene of a nude woman bending over in a bath tub.