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[7] [8] Notable examples of negationism include denials of the Holocaust, Nakba, Holodomor, Armenian genocide, the Lost Cause of the Confederacy, and the clean Wehrmacht myth. [ 9 ] [ 10 ] [ 11 ] In literature, it has been imaginatively depicted in some works of fiction , such as Nineteen Eighty-Four , by George Orwell .
A false protagonist is presented at the start of the fictional work as the main character, but then is eradicated, often by killing them (usually for shock value or as a plot twist) or changed in terms of their role in the story (i.e. making them a lesser character, a character who leaves the story, or revealing them to actually be the antagonist).
Cover of The Songs of Bilitis (1894), a French pseudotranslation of Ancient Greek erotic poetry by Pierre Louÿs. Literary forgery (also known as literary mystification, literary fraud or literary hoax) is writing, such as a manuscript or a literary work, which is either deliberately misattributed to a historical or invented author, or is a purported memoir or other presumably nonfictional ...
Language philosopher Steve Neale distinguishes between two types: cultural verisimilitude, meaning plausibility of the fictional work within the cultural and/or historical context of the real world, outside of the work; and generic verisimilitude, meaning plausibility of a fictional work within the bounds of its own genre (so that, for example ...
Correspondence theory is a traditional model which goes back at least to some of the ancient Greek philosophers such as Plato and Aristotle. [2] [3] This class of theories holds that the truth or the falsity of a representation is determined solely by how it relates to a reality; that is, by whether it accurately describes that reality.
Mimesis gives an account of the way in which everyday life in its seriousness has been represented by many Western writers, from ancient Greek and Roman writers such as Petronius and Tacitus, early Christian writers such as Augustine, Medieval writers such as Chretien de Troyes, Dante, and Boccaccio, Renaissance writers such as Montaigne, Rabelais, Shakespeare and Cervantes, seventeenth ...
A simulacrum (pl.: simulacra or simulacrums, from Latin simulacrum, meaning "likeness, semblance") is a representation or imitation of a person or thing. [1] The word was first recorded in the English language in the late 16th century, used to describe a representation, such as a statue or a painting, especially of a god.
Each of these examples has been identified by a critic as an antihero, although the classification remains fairly subjective. Some of the entries may be disputed by other sources and some may contradict all established definitions of antihero.