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Palace of Fontainebleau (/ ˈ f ɒ n t ɪ n b l oʊ / FON-tin-bloh, US also /-b l uː /-bloo; [1] French: Château de Fontainebleau [ʃɑto d(ə) fɔ̃tɛnblo]), located 55 kilometers (34 miles) southeast of the center of Paris, in the commune of Fontainebleau, is one of the largest French royal châteaux.
The Chinese Museum or musée chinois is a section of the Palace of Fontainebleau that keeps artifacts from Qing dynasty China, the Kingdom of Siam, and other Asian countries, including diplomatic gifts and plunder from the Second Opium War. Opened in 1863 by Empress Eugénie, it is one of the world's oldest museums specifically dedicated to ...
Le Breton's Porte Dorée at Fontainebleau (1528–1540) Gilles Le Breton (died 1553) was a French architect and master-mason during the Renaissance. He is best known as the mastermind of much of the present-day Château de Fontainebleau. In 1526, Le Breton was working at the Château de Chambord under Pierre Nepveu.
Palais de l'Elysée, presidential palace of France from 1848 to 1852, 1874–1940, and then from 1946 until now Palais de la Cité , also simply known as le Palais , first royal palace of France, from before 1000 until 1363; now the seat of the courts of justice of Paris and of the Court of Cassation (the supreme court of France)
The throne room at the Palace of Fontainebleau, France.. A throne room or throne hall is the room, often rather a hall, in the official residence of the crown, either a palace or a fortified castle, where the throne of a senior figure (usually a monarch) is set up with elaborate pomp—usually raised, often with steps, and under a canopy, both of which are part of the original notion of the ...
Diana the Huntress - School of Fontainebleau, 1550–1560, (Louvre). The School of Fontainbleau (French: École de Fontainebleau) (c. 1530 – c. 1610) refers to two periods of artistic production in France during the late French Renaissance centered on the royal Palace of Fontainebleau that were crucial in forming Northern Mannerism, and represent the first major production of Italian ...
Philippe Millereau (c. 1570–1610) was a French Mannerist painter of the late 16th and early 17th centuries, active during the reign of Henri IV, and assimilated to the Second School of Fontainebleau, of which he remained a relatively minor figure; he was clearly influenced by Toussaint Dubreuil, but also by Italian artists such as Nicolò dell'Abbate, and Flemish painters.
The French also built extensive structures in Louisiana, especially in New Orleans and plantation country Destrehan Plantation, although very little survives today from the French period. Nevertheless, French-style buildings were built there for a long time, as they were in post-colonial Haiti, notably the Sans-Souci Palace of King Henry ...