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Light stage is a device used for capturing the shape, texture, and reflectance of a target, usually for virtual cinematography. Light stages are usually a combination of multiple cameras and structured light techniques, and additionally, polarizers are included to find the subsurface scattering component of the target's skin. Omnidirectional camera
The addition of a fourth light, the background light, makes for a four-point lighting setup. The background light is placed behind the subject(s), on a high grid, or low to the ground. Unlike the other three lights, which illuminate foreground elements like actors and props, it illuminates background elements, such as walls or outdoor scenery.
A dolly shot where the camera moves in an arc along a circular or elliptical radius in relation to the subject ("arc left" or "arc right") Backlighting (lighting design) The main source of light is behind the subject, silhouetting it, and directed toward the camera. Bridging shot A shot used to cover a jump in time or place or other discontinuity.
The key light is usually the first and most important light to be considered when staging a scene. Its purpose is to highlight the form and dimension of the subject; omitting the key light can result in a silhouette effect. A diagram of a standard three-point lighting set-up, consisting of a key light, back light, and fill light Kuleshov effect
This style of cinematography aims to create a realistic portrayal of the world, often using natural lighting, handheld cameras, and a documentary-like approach to filming. Classic Hollywood is a style of cinematography characterized by its use of highly polished, studio-produced films with glamorous sets, bright lighting, and romanticized ...
The key light can be "hard" (focused) or "soft" (), and depending on the desired setup can be placed at different angles relative to the subject.When part of the most common setup—three-point lighting—the key light is placed at a 30–60° angle (with the camera marking 0°).
A common artificial lighting strategy that creates an overall appearance similar to natural fill places the fill light on the lens axis so that it will appear to cast few if any shadows from the point of view of the camera, which allows the key light that overlaps it to create the illusion of 3D in a 2D photo with the same single-source ...
High-key lighting is a style of lighting for film, television, or photography that aims to reduce the lighting ratio present in the scene. This was originally done partly for technological reasons, since early film and television did not deal well with high contrast ratios , but now is used to suggest an upbeat mood.