Search results
Results From The WOW.Com Content Network
Cleopatra VII wearing a diadem and 'melon' hairstyle similar to coinage portraits, marble, found near the Tomba di Nerone, Rome along the Via Cassia, Museo Pio-Clementino, Vatican Museums Cleopatra as a Goddess; 1st century BC An ancient Roman wall painting in Room 71 of the House of Marcus Fabius Rufus at Pompeii, Italy, showing Venus with a cupid's arms wrapped around her.
Pages in category "Depictions of Cleopatra in plays" ... The Death of Cleopatra (play) This page was last edited on 3 July 2021, at 20:22 (UTC). Text ...
In this category are the topics related to cultural depiction of Cleopatra VII Philopator (Late 69 BC – August 12, 30 BC), known to history as Cleopatra, the last pharaoh of Ancient Egypt. Subcategories
The Death of Cleopatra (Arabic: مصرع كليوباترا, romanized: Maṣraʿ Kilyūbātrā) is a 1929 verse play by Egyptian poet and playwright Ahmed Shawqi. It depicts the last days of Cleopatra 's life in Alexandria and the events surrounding the Battle of Actium and the Roman conquest of Egypt .
Depictions of Cleopatra in plays (1 C, 6 P) Pages in category "Depictions of Cleopatra on stage" The following 3 pages are in this category, out of 3 total.
Cleopatra emerges from the palace, shows little interest in the carpets, and expresses a desire to visit Caesar at the lighthouse. The sentinel tells her she is a prisoner and orders her back inside the palace. Cleopatra is enraged, and Apollodorus, as her champion, engages in swordplay with the sentinel.
The play is set in Egypt; at its start, the Pharaoh Ptolemy XIII has sequestered his sister/wife/queen Cleopatra and has assumed sole rule of the kingdom, and the Battle of Pharsalia has not yet occurred. By the play's end, Caesar has deposed Ptolemy and placed Cleopatra in sole possession of the Egyptian crown.
The play is part of the posthumous collection Les Œuvres et meslanges poetiques d'Estienne Jodelle Sieur du Lymodin (1574). Remy Belleau played the role of Cleopatra, Jean Bastier de La Péruse, that of Octavian. It was the first "tragédie humaniste ", and Jodelle composed it in parallel with the first "humanist comedy", L'Eugène .