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A concave mirror, or converging mirror, has a reflecting surface that is recessed inward (away from the incident light). Concave mirrors reflect light inward to one focal point. They are used to focus light. Unlike convex mirrors, concave mirrors show different image types depending on the distance between the object and the mirror.
In July 2000, Falco and Hockney published "Optical Insights into Renaissance Art" in Optics & Photonics News, vol. 11, a detailed analysis of the likely use of concave mirrors in certain Renaissance paintings, particularly the Lotto painting. Experiments with a concave mirror (which technically is also a lens) of the calculated properties ...
Real images can be produced by concave mirrors and converging lenses, only if the object is placed further away from the mirror/lens than the focal point, and this real image is inverted. As the object approaches the focal point the image approaches infinity, and when the object passes the focal point the image becomes virtual and is not ...
The image in a plane mirror is not magnified (that is, the image is the same size as the object) and appears to be as far behind the mirror as the object is in front of the mirror. A diverging lens (one that is thicker at the edges than the middle) or a concave mirror forms a virtual image. Such an image is reduced in size when compared to the ...
Rays from an object at finite distance are focused further from the lens than the focal distance; the closer the object is to the lens, the further the image is from the lens. With concave lenses, incoming parallel rays diverge after going through the lens, in such a way that they seem to have originated at an upright virtual image one focal ...
Monochromatic aberrations are caused by the geometry of the lens or mirror and occur both when light is reflected and when it is refracted. They appear even when using monochromatic light, hence the name. Chromatic aberrations are caused by dispersion, the variation of a lens's refractive index with wavelength. Because of dispersion, different ...
The mirror forms a virtual image of whatever is in the opposite angle from the viewer, meaning that objects in the image appear to exist in a direct line of sight—behind the surface of the mirror—at an equal distance from their position in front of the mirror. Objects behind the observer, or between the observer and the mirror, are ...
To focus an object 1 m away (s 1 = 1,000 mm), the lens must be moved 2.6 mm farther away from the film plane, to s 2 = 52.6 mm. The focal length of a lens determines the magnification at which it images distant objects. It is equal to the distance between the image plane and a pinhole that images distant objects the same size as the lens in ...