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The Beggarstaffs, active 1893–1899; Róbert Berény (1887–1954); Gino Boccasile (1901–1952); Sándor Bortnyik (1893–1976); Firmin Bouisset (1859–1925); Leonetto Cappiello (1875–1942)
At the end of the nineteenth century, poster art became a respectable art form, with the invention of large-scale colour lithography. (Chromolithography made its début around 1870. [2]) Artists such as Jules Chéret, the brothers Léon and Alfred Choubrac, and Alfons Mucha became famous within the art world, working almost exclusively on ...
Also includes designers of posters. Subcategories. This category has the following 38 subcategories, out of 38 total. . Album-cover and concert-poster artists (15 C ...
The Polish School of Posters was an approach to poster design which started during the post-World War II period in Poland from the 1950s continuing through the 1980s. In its early years, the Polish People's Republic (PRL, 1947–1989) was in a phase of rebuilding its cultural institutions. In the post-war economy under bureaucratic censorship ...
The artist-designer Jules Chéret (1835–1932) was a notable early creator of French Art Nouveau posters. He helped turn the advertising poster into an art form. The son a family of artisans, he apprenticed with a lithographer and also studied at the École nationale supérieure des arts décoratifs.
Joseph Binder (March 3, 1898 – June 26, 1972) was an Austrian graphic designer and painter. He is recognized as one of the pioneers of the modern poster, noted for his refined, stylized images and high-impact colors.
Long, Christopher ed "Design and reform: The making of the Bauhaus." (Magazine) The Antiques Magazine (2009) AIGA Medalist article “Proto-Modernist” by Steven Heller; Art Directors Club biography and images of work; Touring exhibition "Lucian Bernhard. Advertising and Design at the Dawn of the 20th Century" Plakatstil (International posters)
In addition, he taught graphic design at the École des Arts Décoratifs and then at the École d'Art Graphique. With typography an important part of poster design, the company created several new typeface styles. Cassandre developed Bifur in 1929, the sans serif Acier Noir in 1935, and in 1937 an all-purpose font called Peignot.