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St. Bonaventure chapel or Capilla de San Buenaventura in St. John the Baptist Parish, Liliw, Laguna, Philippines, erected in honor of the Seraphic Doctor, San Buenaventura because of the 1664 miracle were tears of blood were seen flowing from the eyes of the venerated image, which was witnessed by the Cura Parroco, Padre Juan Pastor and 120 ...
The first and still only critical edition of Reportatio B was in 1891 by the Fathers of the College of St. Bonaventure in Quaracchi in Volume V of the Opera omnia'submitted. It refers to the text of the manuscript M and the Strasbourg pressure because of their low quality and also because of their strong Reportatio A textual differences do not ...
Solanus Casey, OFM Cap (November 25, 1870 – July 31, 1957), born Bernard Francis Casey, was an American religious priest of the Order of Friars Minor Capuchin.He was known during his lifetime as a healer for his great faith and his abilities as a spiritual counselor, but especially for his great attention to the sick, for whom he celebrated special Masses.
The work's precise date of composition, and its author, has occasioned much debate. [1] Until the late nineteenth century, it was traditionally ascribed to Bonaventure.Once it was realised that the work was not by him, the ascription was changed to pseudo-Bonaventure, and was judged to be of unknown Franciscan authorship.
Bernard of Clairvaux, O.Cist. (Latin: Bernardus Claraevallensis; 1090 – 20 August 1153), venerated as Saint Bernard, was an abbot, mystic, co-founder of the Knights Templar, [a] and a major leader in the reform of the Benedictines through the nascent Cistercian Order.
The work was attributed to Saint Bonaventure in medieval and early modern times, but this attribution was firmly rejected and attributed to Hugh by the Franciscans of Quaracchi, editors of the critical edition of Bonaventure's work, in 1895. [2] Hugh's identity is unclear.
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In Santa Maria de Guadalupe he painted multiple large pictures, eight of which relate to the history of St. Jerome; [3] and in the church of Saint Paul, Seville, a figure of the Crucified Saviour, in grisaille, creating an illusion of marble. In 1639, he completed the paintings of the high altar of the Carthusians in Jerez. [28]