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Cheongsam (UK: / tʃ (i) ɒ ŋ ˈ s æ m /, US: / tʃ ɔː ŋ ˈ s ɑː m /) or zansae, also known as the qipao (/ ˈ tʃ iː p aʊ /) and sometimes referred to as the mandarin gown, is a Chinese dress worn by women which takes inspiration from the qizhuang, the ethnic clothing of the Manchu people.
The qipao made another return to the fashion world in the ’90s and early 2000s when fast fashion brands capitalized on traditional Chinese prints and silhouettes. Brands like Forever 21 produced ...
Vivienne Tam was born in Guangzhou, Guangdong, China.When Tam was three years old, her family left the People's Republic of China and moved to Hong Kong. The experiences of Vivienne's parents as wealthy landowners during Mao Zedong's rule influenced designer's future collections and inspired her to create her signature "MAO" collection. [3]
Lotus shoes. Lotus shoes (蓮履 / 莲履, lianlǚ) were footwear that were worn by women in China who had bound feet. The shoes were cone or sheath-shaped, intended to resemble a lotus bud. They were delicately constructed from cotton or silk, and small enough to fit in the palm of a hand. [12] Some designs had heels or wedge-shaped soles.
The cheongsam (Chinese: 旗袍), or zansae also known as qipao, sometimes referred to as the mandarin gown, traces its origins to the Qing dynasty. [4] Cheongsam was the dress for Manchu women which become popular in Hong Kong and Shanghai after the fall of the Qing dynasty in 1912. [5] Nowadays, the cheongsam can also be worn as a wedding ...
MOCA's first qipao/cheongsam collection, donated by Pamela Chen, includes 77 Chinese dresses that were custom-tailored in the 1930s and 1940s and once owned by her mother, Phoebe Shou-Heng Chen (1917–1993). MOCA's second qipao/cheongsam collection, donated by Angela King and her sister Fern Tse, includes 367 family dresses.
Chinese clothing, including ethnic minority garments, and modern adaptations of indigenous styles, is a vital aspect of Chinese culture and civilization. For thousands of years, Chinese clothing has evolved with dynastic traditions, foreign influences, and cultural exchanges, adapting to the needs of each era. [1]
Both Khitan women and Han Chinese women in the Liao wore Han style Tang-Song dress. [ 132 ] Children and servants wear Khitan-style clothing and hairstyle; the standing women wears Song-style hanfu, Mural painting from the Tomb of Zhang Kuangzheng (M10), Liao dynasty, 1058-1093 AD.
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