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Pieter Cornelis Mondriaan (Dutch: [ˈpitər kɔrˈneːlɪs ˈmɔndrijaːn]; 7 March 1872 – 1 February 1944), known after 1911 as Piet Mondrian (/ p iː t ˈ m ɒ n d r i ɑː n /, US also /-ˈ m ɔː n-/, Dutch: [pit ˈmɔndrijɑn]), was a Dutch painter and art theoretician who is regarded as one of the greatest artists of the 20th century.
Shifts in style and technique are apparent over the course of his artistic career, ranging from busy landscapes and portraits at the beginning of his career to his famous abstract paintings of nearly empty space and stark, primary colors, the style in which Bleu II was created. Miró’s abstract paintings conveyed his dreams and subconscious ...
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
This is an incomplete list of paintings and other works by the Dutch artist Vincent van Gogh (1853–1890). Little appreciated during his lifetime, his fame grew in the years after his death. According to the legend, Van Gogh sold only one painting, The Red Vineyard, bought for 400 francs by the painter and art collector Anna Boch. [1]
Hans Hofmann, Pompeii, oil on canvas, 84.25” x 52.25", 1959. Hofmann's art is generally distinguished by its rigorous concern with pictorial structure and unity, development of spatial illusion through the "push and pull" of color, shape and placement, and use of bold, often primary color for expressive means. [4]
Robert Delaunay, Simultaneous Windows on the City, 1912, Kunsthalle Hamburg. Orphism or Orphic Cubism, a term coined by the French poet Guillaume Apollinaire in 1912, was an offshoot of Cubism that focused on pure abstraction and bright colors, influenced by Fauvism, the theoretical writings of Paul Signac, Charles Henry and the dye chemist Michel Eugène Chevreul.
Abstract expressionism, action painting, and Color Field painting are synonymous with the New York School. Technically Surrealism was an important predecessor for abstract expressionism with its emphasis on spontaneous, automatic or subconscious creation.
Dove's work convinced Philips that abstract was an artistic process, not just an art style. [15] Stieglitz's gallery was first visited by Phillips because of Dove, and he continued to return to see Dove's work. [15] In exchange for first choice of paintings from each exhibition, Phillips paid Dove a commission of $50.00 a month. [12]