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Ave Maria is a 1964 motet by Franz Biebl, composed for double choir, a large four-part choir and a three-part choir which can be performed by soloists.It is a setting of part of the Latin liturgical Angelus prayer, which contains the Ave Maria (Hail Mary) as a refrain.
Franz Xaver Biebl (1 September 1906 – 2 October 2001) was a German composer of classical music. Most of his compositions were for choral ensembles. Biebl was born in Pursruck , now part of Freudenberg, Bavaria , in 1906.
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"Ave Maria" (Intermezzo), an aria by Pietro Mascagni from Cavalleria rusticana (1890) Ave Maria, motet by Igor Stravinsky (1934) "Ave Maria", a choral setting by Franz Biebl (before 1959) "Ave Maria" (Vavilov) (1970), an aria by Vladimir Vavilov, falsely ascribed to Giulio Caccini "Ave Maria", a choral setting by Morten Lauridsen (1997)
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Several versions of the hymn are in use in different parts of the world. Many of them are original sets of lyrics in various languages, set to the same tune, theme, and refrain. A popular version dating to 1952 [4] is as follows: Immaculate Mary, your praises we sing, You reign now in splendor with Jesus our King. Ave, Ave, Ave Maria! Ave, Ave ...
In the 20th century, Franz Biebl composed Ave Maria (Angelus Domini), actually a setting of the Angelus prayer, in which the Ave Maria is repeated three times, but its second part only once as the climax. In Slavonic, the text was also a popular subject for setting to music by Eastern European composers.
The 52-bar long motet in F major is scored SATB choir and S and A soloists, organ and cello ().It begins in Andante with a fugato. [3] The fugato is ending on bar 8 with the by Haas so-called Marien-Kadenz (cadence on the word "Maria"), which Bruckner will recall in the first movement of the Study Symphony in F minor [4] and in the Adagio of the later Symphony No. 3.