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The German composer Richard Strauss (1864–1949) was prolific and long-lived, writing 16 operas from 1892 up until his death in 1949. Strauss "emerged soon after the deaths of Wagner and Brahms as the most important living German composer", [ 1 ] and was crucial in inaugurating the musical style of Modernism .
Only 88 compositions by the German composer Richard Strauss (1864–1949) have been assigned opus numbers; these numbers are shown in the table below in the column "Op."." Two volumes of a catalogue of the remaining works were published by Erich Hermann Mueller von Asow (1892–1964) in 1959
Pages in category "Operas by Richard Strauss" The following 16 pages are in this category, out of 16 total. This list may not reflect recent changes. ...
Richard Georg Strauss (German: [ˈʁɪçaʁt ˈʃtʁaʊs] ⓘ; 11 June 1864 – 8 September 1949) was a German composer and conductor best known for his tone poems and operas. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt . [ 1 ]
Salome, Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play Salomé by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer. [1] The opera is famous (at the time of its premiere, infamous) for its "Dance of the Seven Veils".
Die schweigsame Frau (The Silent Woman), Op. 80, is a 1935 comic opera in three acts by Richard Strauss to a libretto by Stefan Zweig after Ben Jonson's 1609 comedy Epicœne, or The Silent Woman. Composition history
Die Frau ohne Schatten (The Woman without a Shadow), Op. 65, is an opera in three acts by Richard Strauss with a libretto by his long-time collaborator, the poet Hugo von Hofmannsthal. It was written between 1911 and either 1915 or 1917. When it premiered at the Vienna State Opera on 10 October
1905 Salome (Richard Strauss). A scandalous success at its premiere, Strauss's "decadent" opera set to Oscar Wilde's play is still immensely popular with today's audiences. [159] 1906 Maskarade (Nielsen). Nielsen's high-spirited comedy looks back to the world of The Marriage of Figaro and has become a classic in the composer's native Denmark. [160]