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E-flat minor is a minor scale based on E ♭, consisting of the pitches E ♭, F, G ♭, A ♭, B ♭, C ♭, and D ♭. Its key signature consists of six flats . Its relative key is G-flat major (or enharmonically F-sharp major ) and its parallel key is E-flat major .
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
Single sharps or flats in the key signature are sometimes repeated as a courtesy, e.g. Max Reger's Supplement to the Theory of Modulation, which contains D ♭ minor key signatures on pp. 42–45. These have a B ♭ at the start and also a B at the end (with a double-flat symbol), going B ♭, E ♭, A ♭, D ♭, G ♭, C ♭, F ♭, B.
Examples of the latter include the E ♭ (right hand), and F ♯ and G ♯ (left hand) used for the С diminished (С octatonic) scale in Bartók's Crossed Hands (no. 99, vol. 4, Mikrokosmos); the B ♭, E ♭ and F ♯ used for the D Phrygian dominant scale in Frederic Rzewski's God to a Hungry Child; and the E ♭ and D ♭ (right hand) and ...
E-flat may refer to: E♭ (musical note) E-flat major; E-flat minor; E-flat tuning, on a guitar "E Flat Boogie", a 1980 single by American funk band Trouble Funk;
A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).
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An A-minor scale has the same pitches as the C major scale, because the C major and A minor keys are relative major and minor keys. A minor chord has the root and the fifth of the corresponding major chord, but its first interval is a minor third rather than a major third: