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In Book I, the Achaean troubles begin with King Agamemnon's dishonorable, unkingly behavior—first, by threatening the priest Chryses (1.11), then, by aggravating them in disrespecting Achilles, by confiscating Briseis from him (1.171).
The novel centers on three character groups: that of Hockenberry (a resurrected twentieth-century Homeric scholar whose duty is to compare the events of the Iliad to the reenacted events of the Trojan War), Greek and Trojan warriors, and Greek gods from the Iliad; Daeman, Harman, Ada, and other humans of an Earth thousands of years after the twentieth century; and the "moravec" robots (named ...
Jonathan Shay, whose book Achilles in Vietnam proposes readings of the Iliad that have been helpful and therapeutically useful for the healing of mental wounds in Vietnam veterans, pointed out that their familial relationship in the Iliad must not be overlooked: Patroclus is Achilles' cousin and his foster brother; symbolically, comrades in ...
Book 1: [5] Quintus dispenses with the customary invocation of the Muses in order to make his first line continue from the end of the Iliad. Book 1 tells of the arrival of the proud Amazon queen Penthesileia, the welcome she receives from the hard-pressed Trojans, her initial successes in battle, and her defeat by Achilles, who kills Thersites for mocking his admiration for the beautiful victim.
Moral injury is as old as war itself. Betrayal, grief, shame and rage are the themes that propel Greek epics like Homer’s Iliad, and all have afflicted warriors down through the centuries. But during the Iraq and Afghanistan wars, it proved especially hard to maintain a sense of moral balance.
a full text of the Iliad in ancient Greek; marginal critical marks, shown by finds of ancient papyri to reflect fairly accurately those that would have been in Aristarchus' edition of the Iliad; damaged excerpts from Proclus' Chrestomathy, namely the Life of Homer, and summaries of all of the Epic Cycle except the Cypria
The phrase is derived from the sixth book of Homer's Iliad, in which it is used in a speech Glaucus delivers to Diomedes. During a battle between the Greeks and Trojans, Diomedes is impressed by the bravery of a mysterious young man and demands to know his identity. Glaucus replies: "Hippolochus begat me.