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  2. Boom bap - Wikipedia

    en.wikipedia.org/wiki/Boom_bap

    The term "boom bap" is an onomatopoeia that represents the sounds used for the bass (kick) drum and snare drum, respectively. The style is usually recognized by a main drum loop that uses a hard-hitting, acoustic bass drum sample on the downbeats , a snappy acoustic snare drum sample on the upbeats , and an "in your face" audio mix emphasizing ...

  3. JoMoX - Wikipedia

    en.wikipedia.org/wiki/JoMoX

    JoMoX T-Resonator. Alpha Base - analog drum synthesizer and drum machine, with analog instruments (Kick drum, MBrane), sample capabilities, 6 hybrid samples channels (that are processed through analog VCA and VCF), 2 channels of pure digital samples + 1 FM synth.

  4. Hardstyle - Wikipedia

    en.wikipedia.org/wiki/Hardstyle

    The first few years of hardstyle were characterized by a tempo of around 140–150 BPM, a distorted kick drum sound, vocal samples, dissonant synth sounds known as "screetches" and the use of a "reverse bass", a hard kick distorted offbeat bass within the same beat. Around 2002, more hardstyle labels emerged.

  5. Bass drum - Wikipedia

    en.wikipedia.org/wiki/Bass_drum

    The type usually seen or heard in orchestral, ensemble or concert band music is the orchestral, or concert bass drum (in Italian: gran cassa, gran tamburo). It is the largest drum of the orchestra. The kick drum, a term for a bass drum associated with a drum kit, which is much smaller than the above-mentioned bass drum. It is struck with a ...

  6. The Humpty Dance - Wikipedia

    en.wikipedia.org/wiki/The_Humpty_Dance

    Digital Underground incorporated the Family Stone drum loop with four other raw elements; a deep tonal kick drum that alternated between two bass notes, a handclap snare (also a sample, taken from "Theme From the Black Hole" by the band Parliament), drum-machine hi-hats running continuously throughout which were programmed to 8th-notes, and a ...

  7. Sampling (music) - Wikipedia

    en.wikipedia.org/wiki/Sampling_(music)

    In the words of Greg Milner, author of Perfecting Sound Forever, musicians "didn't just want the sound of John Bonham's kick drum, they wanted to loop and repeat the whole of 'When the Levee Breaks'." [9] Linn said: "It was a very pleasant surprise. After 60 years of recording, there are so many prerecorded examples to sample from.