Search results
Results From The WOW.Com Content Network
After version 10.0.0, 64-bit codecs are integrated into the regular editions. Prior to this version there was a 64-bit edition designed specifically for 64-bit OSes. After version 11.3.0, the 32-bit and 64-bit versions of LAV Filters share their settings, and an option to install only 64-bit codecs was added (visible only in Expert install mode).
This is a listing of open-source codecs—that is, open-source software implementations of audio or video coding formats, audio codecs and video codecs respectively. Many of the codecs listed implement media formats that are restricted by patents and are hence not open formats.
CRI Sofdec codec - a MPEG variant with 11-bit DC and color space correction; [87] used in Sofdec middleware; CRI P256 - used in Sofdec middleware for Nintendo DS [88] Indeo Video Interactive (aka Indeo 4/5) - used in PC games for Microsoft Windows. FFmpeg (decoder only) Intel Indeo Video
Free and open-source software portal; libavcodec is a free and open-source [4] library of codecs for encoding and decoding video and audio data. [5]libavcodec is an integral part of many open-source multimedia applications and frameworks.
The Combined Community Codec Pack, more commonly referred to by its acronym CCCP, is a collection of codecs (video compression filters) packed for Microsoft Windows, designed originally for the playback of anime fansubs. [2] The CCCP was developed and maintained by members of various fansubbing groups.
The original Media Player Classic was created and maintained by a programmer named "Gabest" [5] who also created PCSX2 graphics plugin GSDX. It was developed as a closed-source application, but later relicensed as free software under the terms of the GPL-2.0-or-later license.
The quality the codec can achieve is heavily based on the compression format the codec uses. A codec is not a format, and there may be multiple codecs that implement the same compression specification – for example, MPEG-1 codecs typically do not achieve quality/size ratio comparable to codecs that implement the more modern H.264 specification.
A The maximum bit rate of the profile is based on the combination of bit depth, chroma sampling, and the type of profile. For bit depth the maximum bit rate increases by 1.5× for 12-bit profiles and 2× for 16-bit profiles. For chroma sampling the maximum bit rate increases by 1.5× for 4:2:2 profiles and 2× for 4:4:4 profiles.