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House of Stairs is a lithograph print by the Dutch artist M. C. Escher first printed in November 1951. This print measures 47 cm × 24 cm (18 + 5 ⁄ 8 in × 9 + 3 ⁄ 8 in). It depicts the interior of a tall structure crisscrossed with stairs and doorways. A total of 46 wentelteefje (imaginary creatures created by Escher) are crawling on the ...
Relativity is a lithograph print by the Dutch artist M. C. Escher, first printed in December 1953.The first version of this work was a woodcut made earlier that same year. [1]
The title of the painting translates to English literally as Ongoing Time Stabbed by a Dagger, and Magritte was reportedly unhappy with the generally accepted translation of Time Transfixed. [3] Magritte hoped that James would hang the painting at the base of his staircase so that the train would "stab" guests on their way up to the ballroom.
Schroeder stairs can be perceived in two ways, depending on whether the viewer considers A or B to be the closer wall. Schroeder stairs (Schröder's stairs) is an optical illusion which is a two-dimensional drawing which may be perceived either as a drawing of a staircase leading from left to right downwards or the same staircase only turned upside down, a classical example of perspective ...
The property is on the market in the historic Point neighborhood for about $1 million
The painting was painted close to the end of the Industrial Revolution, which brought a massive shift from an agrarian economy to one dominated by machine manufacturing in the Victorian era. [3] The railway was among the most potent symbols of industrialisation, since this new way of transportation heavily affected industrial and social life. [ 4 ]
The subject of the painting is the love story of Hellelil, who fell in love with her personal guard Hildebrand. The story was taken from a medieval Danish ballad translated as Hellalyle and Hildebrand by the painter's friend Whitley Stokes [2] [3] and published in Fraser's Magazine, 1855, Vol. 51, p. 89.
The painting depicts the Gare Montparnasse railway station in Paris, France. It is a classic example of de Chirico's style, depicting an angular perspective on an outdoor architectural setting in the long shadows and deep colours of early evening. On the horizon is a steam train with a plume of white smoke billowing away from it.