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During the Middle Ages and Renaissance, Italian fashion for both men and women was extravagant and expensive, but the fashion industry declined during the industrialization of Italy. Many modern Italian fashion brands were founded in the late 19th and early 20th centuries, and in the 1950s and 1960s, Italian fashion regained popularity worldwide.
Fashion in 15th-century Europe was characterized by a surge of experimentation and regional variety, from the voluminous robes called houppelandes with their sweeping floor-length sleeves to the revealing giornea of Renaissance Italy. Hats, hoods, and other headdresses assumed increasing importance, and were draped, jeweled, and feathered.
Italian fashion reached its peak during the Renaissance. As Italy is widely recognized as the cradle and birthplace of the Renaissance, [9] [10] art, music, education, finance and philosophy flourished, and along with it, Italian fashion designs became very popular especially those worn by the Medicis in Florence. [11]
A fashion in men's clothing for the dark furs sable and marten arose around 1380, and squirrel fur was thereafter relegated to formal ceremonial wear. [14] Ermine, with their dense white winter coats, was worn by royalty, with the black-tipped tails left on to contrast with the white for decorative effect, as in the Wilton Diptych above.
English opulence, Italian reticella lace ruff, (possibly) Polish ornamentation, a French farthingale, and Spanish severity: The "Ermine Portrait" of Elizabeth I. Fashion in the period 1550–1600 in European clothing was characterized by increased opulence.
She wears pieced sleeves derived from Italian styles with puffs at the elbows and shoulders, a heavy gold chain, and a gold filigree carcanet or necklace, 1506. Duchess Katharina von Mecklenburg wears a front-laced gown in the German fashion, with broad bands of contrasting materials, tight sleeves, and slashes at the elbow, 1514.