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The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs; a wordless chorus joins in for the last reprise. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God.
Its famous Méditation, the entr'acte for violin and orchestra played between the scenes of act 2, is an oft-performed concert music piece; it has been arranged for many different instruments. The role of Thaïs, similar to another Massenet heroine also written for Sibyl Sanderson , Esclarmonde , is notoriously difficult to sing and is reserved ...
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Traditional Thai musical instruments (Thai: เครื่องดนตรีไทย, RTGS: Khrueang Dontri Thai) are the musical instruments used in the traditional and classical music of Thailand. They comprise a wide range of wind, string, and percussion instruments played by both the Thai majority as well as the nation's ethnic minorities.
The music of Thailand includes a wide array of distinct genres, both traditional and modern.. Traditional Thai musical instruments are varied and reflect ancient influence from far afield – including the klong thap and khim (Persian origin), the chakhe (Indian origin), the klong chin (Chinese origin), and the klong khaek (Indonesian origin).
Thai musical instruments were adopted from Chinese instruments but with adaptations. The variety of musical instruments expanded when the Thai kingdom in the Indo-China peninsula came into contact with India. Later on, Thailand also adopted western instruments such as the violin and the organ. Saw duang may have been copied from the Huqin of China.