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Gallery of Beauties The Nymphenburg Palace seen from its park. The Gallery of Beauties (German: Schönheitengalerie) is a collection of 38 portraits of the most beautiful women from the nobility and bourgeoisie of Munich, Germany, gathered by King Ludwig I of Bavaria in the south pavilion of his Nymphenburg Palace. [1]
Woman's stays c. 1730–1740. Silk plain weave with supplementary weft-float patterning, stiffened with whalebone. Los Angeles County Museum of Art, M.63.24.5. [1]The corset is a supportive undergarment for women, dating, in Europe, back several centuries, evolving as fashion trends have changed and being known, depending on era and geography, as a pair of bodies, stays and corsets.
The length of the hair, in particular, was a display of a woman's health and was well taken care of. Both men and women used products to promote hair growth. Since the use of cosmetics on societal women was limited, hair was kept well groomed. Victorian women would braid their hair, use hair wigs, and apply heat to make tight curls.
About 70% of women who wear bras wear a steel underwire bra according to underwear manufacturer S&S Industries of New York in 2009. [208] In 2001, 70% (350 million) of the bras sold in the U.S. were underwire bras. [209] [208] As of 2005, underwire bras were the fastest-growing segment of the market. [210]
Women in 1870s gowns wearing corsets. The corset controversy was a moral panic and public health concern around corsets in the 19th century.. Corsets, variously called a pair of bodys or stays, were worn by European women from the late 16th century onward, changing their form as fashions changed.
Literature from Ancient Greece suggests the use of a specialized garment meant to support and contain women's breasts. In Book 14 of Homer's Iliad, written in the archaic period of classical antiquity, Homer refers to Aphrodite's "embroidered girdle" (Ancient Greek: κεστός ἱμάς, kestós himás) as being "loosed from her breasts", indicating a decorated breast-band rather than a ...
"Southern belle" (from French belle 'beautiful') is a colloquialism for a debutante or other fashionable young woman in the planter class of the Antebellum South, particularly as a romantic counterpart to the Southern gentleman. [1]
By 1800 his exaggerations had become more extreme, with faces three times as long as they are wide and body proportions of eight heads length to the body. By this point, critics such as Basil Stewart consider Utamaro's figures to "lose much of their grace"; [ 34 ] these later works are less prized amongst collectors.