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The ghost of Hamlet's father is a character from William Shakespeare's play Hamlet. In the stage directions, he is referred to as " Ghost ". His name is also Hamlet , and he is referred to as King Hamlet to distinguish him from the Prince , his son and the protagonist of the story.
Hamlet addresses the Ghost (Hamlet: Spectre infernal! Image venerée! – "Infernal apparition! Venerated image!"). The ghost gives a sign indicating that Horatio and Marcellus should withdraw, and Hamlet orders them to do so. The ghost speaks: Écoute-moi! – "Listen to me!". He identifies himself and commands Hamlet to avenge him.
Rosencrantz and Guildenstern tell the Queen that they will have Hamlet play a leading part in some court theatricals to distract him. Hamlet enters, and she begs them to prevent him from soliloquising. Hamlet begins, "To be – or not to be," but they interrupt him, turning the soliloquy into a trio, and urging him to commit suicide.
In a rage, Hamlet brutally insults his mother for her apparent ignorance of Claudius's villainy, but the ghost enters and reprimands Hamlet for his inaction and harsh words. Unable to see or hear the ghost herself, Gertrude takes Hamlet's conversation with it as further evidence of madness.
Hebenon is the agent of death in Hamlet's father's murder; it sets in motion the events of the play. It is spelled hebona in the Quartos and hebenon in the Folios. This is the only mention of hebona or hebenon in any of Shakespeare’s plays. Upon my secure hour thy uncle stole, With juice of cursed hebenon in a vial,
The idea of a Hamlet overture had first occurred to Tchaikovsky in 1876, as outlined in his plans in a letter to his brother Modest. At that time, he conceived it in three parts: 1. Elsinore and Hamlet, up to the appearance of his father's ghost 2. Polonius (scherzando) and Ophelia (adagio), and 3. Hamlet after the appearance of the ghost.
British Ghosts are soon going to be haunting CBS. Beginning this Thursday, Nov. 16, the original BBC One comedy on which the hit American iteration is based will make its Stateside broadcast debut ...
Hamlet, Prince of Denmark, Act I, Scene IV by Henry Fuseli (1789). Hauntology (a portmanteau of haunting and ontology, also spectral studies, spectralities, or the spectral turn) is a range of ideas referring to the return or persistence of elements from the social or cultural past, as in the manner of a ghost.