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The Grammy Award for Best Instrumental Arrangement (and its subsequent name changes) has been awarded since 1963. The award is presented to the arranger(s) of the music. Only songs or tracks are eligible, no longer works (e.g. albums). The performing artist does not receive a Grammy, except if they are also the arranger.
From 1982 to 1994 and from 1998 to 1999 it was awarded as Best Instrumental Arrangement Accompanying Vocal(s) From 1995 to 1997 it was awarded as Best Instrumental Arrangement with Accompanying Vocals; From 2000 to 2014 it was awarded as Best Instrumental Arrangement Accompanying Vocalist(s) Since 2015, it has been awarded as Best Arrangement ...
The Bach-Gesellschaft Ausgabe (BGA, Bach Gesellschaft edition) kept the chorale settings that were part of a larger vocal work (cantata, motet, Passion or oratorio) together with these larger vocal works and added the Three Wedding Chorales to its 13th volume containing wedding cantatas. The remaining separate four-part chorales, purged from ...
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The Grammy Award for Best Arrangement was awarded from 1959 to 1962. Since 1963 the award has been divided into two awards for Best Arrangement, Instrumental and Vocals & Best Arrangement, Instrumental or A Cappella. In 1976 a vocal arrangement award was also added, now called the Grammy Award for Best Vocal Arrangement for Two or More Voices
The Dapper Dans barbershop quartet, at Disneyland's Main Street, USA WPA poster, 1936. Barbershop vocal harmony is a style of a cappella close harmony, or unaccompanied vocal music, characterized by consonant four-part chords for every melody note in a primarily homorhythmic texture.
Music performed a cappella (/ ˌ ɑː k ə ˈ p ɛ l ə / AH kə-PEL-ə, UK also / ˌ æ k ə ˈ p ɛ l ə / AK ə-PEL-ə, Italian: [a kkapˈpɛlla]; [1] lit. ' in [the style of] the chapel '), less commonly spelled a capella in English, [2] is music performed by a singer or a singing group without instrumental accompaniment.
"Song for Athene" (also known as "Alleluia. May Flights of Angels Sing Thee to Thy Rest") is a musical composition by British composer John Tavener with lyrics by Mother Thekla, an Orthodox nun, which is intended to be sung a cappella by a four-part (soprano, alto, tenor and bass) choir.