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Éclaboussure is a process in Surrealist painting where oil paints or watercolours are laid down and water or turpentine is splattered, then soaked up to reveal random splatters or dots where the media was removed. This technique gives the appearance of space and atmosphere. It was used in paintings by Remedios Varo.
The paranoiac-critical method is a surrealist technique developed by Salvador Dalí in the early 1930s. [1] He employed it in the production of paintings and other artworks, especially those that involved optical illusions and other multiple images. The technique consists of the artist invoking a paranoid state (fear that the self is being ...
Surrealist automatism is a method of art-making in which the artist suppresses conscious control over the making process, allowing the unconscious mind to have great sway. This drawing technique was popularized in the early 1920s, by Andre Masson and Hans Arp.
Fumage is a surrealist art technique popularized by Wolfgang Paalen in which impressions are made by the smoke of a candle or kerosene lamp on a piece of paper or canvas. [1] The earliest documented practitioner of the technique was American clockmaker Silas Hoadley whose circa 1810-1820 fumage decorated clock is in the permanent collection of ...
In 1925, Ernst invented a graphic art technique called frottage (see surrealist techniques), which uses pencil rubbings of objects as a source of images. [8] He also created the ' grattage ' technique, in which paint is scraped across canvas to reveal the imprints of the objects placed beneath.
grattage. Grattage (literally "scratching", "scraping") is a technique in surrealist painting which consists of "scratching" fresh paint with a sharp blade. [1] [2]In this technique, one typically attempts to scratch and remove the chromatic pigment spread on a prepared support (the canvas or other material) [3] in order to move the surface and make it dynamic. [4]
Max Ernst, The Elephant Celebes, 1921. The word surrealism was first coined in March 1917 by Guillaume Apollinaire. [10] He wrote in a letter to Paul Dermée: "All things considered, I think in fact it is better to adopt surrealism than supernaturalism, which I first used" [Tout bien examiné, je crois en effet qu'il vaut mieux adopter surréalisme que surnaturalisme que j'avais d'abord employé].
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