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Count Dracula is an example of a villain in classic literature and film. Theme from Mysterioso Pizzicato, a cliché silent movie cue for villainy Play ⓘ. A villain (also known as a "black hat" or "bad guy"; the feminine form is villainess) is a stock character, whether based on a historical narrative or one of literary fiction.
An unpaired word is one that, according to the usual rules of the language, would appear to have a related word but does not. [1] Such words usually have a prefix or suffix that would imply that there is an antonym, with the prefix or suffix being absent or opposite.
An antonym is one of a pair of words with opposite meanings. Each word in the pair is the antithesis of the other. A word may have more than one antonym. There are three categories of antonyms identified by the nature of the relationship between the opposed meanings.
Negative words such as bad [9] and sick sometimes acquire ironic senses by antiphrasis [10] referring to traits that are impressive and admired, if not necessarily positive (that outfit is bad as hell; lyrics full of sick burns). Some contronyms result from differences in varieties of English.
The antagonist is commonly positioned against the protagonist and their world order. [4] While narratives often portray the protagonist as a hero and the antagonist as a villain, like Harry Potter and Lord Voldemort in Harry Potter, the antagonist does not always appear as the villain.
Bad Guy, an album by South Korean pop and R&B singer Rain; The Bad Guys, a 2003 jazz album by Roscoe Mitchell "Bad Guy" (Eminem song), from the 2013 album The Marshall Mathers LP 2 "Bad Guy" (Billie Eilish song), from the 2019 album When We All Fall Asleep, Where Do We Go? "Bad Guy", a song by Falling in Reverse from Popular Monster
Fall guy: An unaware scapegoat for a villain's larger plot. The term "fall guy" for one whom blame was directed upon to shield others had appeared in mass public culture in the U.S. at least by the 1920s. In 1925 it was the title of a Broadway play, The Fall Guy, by James Gleason and George Abbott.
The bad apples metaphor originated as a warning of the corrupting influence of one corrupt or sinful person on a group: that "one bad apple can spoil the barrel". Over time the concept has been used to describe the opposite situation, where "a few bad apples" should not be seen as representative of the rest of their group.