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"Kokomo" is a song by the American rock band the Beach Boys from the 1988 film Cocktail and album Still Cruisin'. Written by John Phillips, Scott McKenzie, Mike Love, and Terry Melcher, the song was released as a single in July 1988 by Elektra Records and became a number one hit in the US and Australia. It was the band's first original top-20 ...
In 2002, a group of Norwegian peacekeepers in Kosovo (calling themselves the "Shiptare Boys" [3]) parodied the music video for "Kokomo," using Rivers' song with their own hand-held video camera footage. In the parody, the soldiers imitate dance moves and scenes from the original music video in desolate war-torn areas around Kosovo.
Some have concluded that Estes's song is an earlier version of the same song. [5] This is disputed by Boyd and Kelly. [2] Another different song was recorded by Big Bill Broonzy in March 1934. [1] Melodically it differs from all the songs with the same title. Lyrically, it shares with the Kokomo Arnold song: A dairy cow theme –
"Look (Song for Children)" Brian Wilson 1966 The Smile Sessions ‡ 2011 "Lonely Days" Unknown 1967 Hawthorne, CA ‡ 2001 "Lonely Sea" Brian Wilson Gary Usher 1962 Surfin' U.S.A. 1963 "Long Promised Road" † Carl Wilson Jack Rieley 1971 Surf's Up: 1971 "Lookin' at Tomorrow (A Welfare Song)" Al Jardine Gary Winfrey: 1970 Surf's Up: 1971
"Still Cruisin'" is a song written by Mike Love and Terry Melcher for the American rock band The Beach Boys. It was released on their 1989 album Still Cruisin' and reached number 11 in Austria, number 28 in Australia and number 93 on the Billboard Hot 100.
After "Kokomo" (when released as a single from the Cocktail film soundtrack) gave the Beach Boys their first number one hit in the US since 1966's "Good Vibrations", the band decided to put together an album of recent and classic songs. The classic songs included had been heard in recent films.
"Asia Minor" is a 1961 instrumental recording by Jimmy Wisner (operating under the name Kokomo so as to not alienate his jazz fans). [2] It is a rock and roll adaptation of Edvard Grieg 's " Piano Concerto in A Minor ", using shellac on the hammers of a cheap piano so as to induce a honky-tonk sound. [ 3 ]
Performing under the name Gene and Eunice, in the Fall of 1954 Forrest and Levy made the first recording of the song, [11] backed by Jonesy's Combo (which included saxophonist Brother William Woodman's band), [14] [15] in the studio in the basement of veteran musician Jake Porter's home, and released in November 1954 on his Combo label (Combo 64) as their first single.