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Spanish Renaissance architecture refers to the style of Renaissance architecture that developed in the last decades of the 15th century. Renaissance evolved firstly in Florence and then Rome and other parts of the Italian Peninsula as the result of Renaissance humanism and a revived interest in Classical architecture .
How did Renaissance architecture enter Spain towards the end of the 15th century? Who promoted it and why are most Renaissance churches found in Andalusia?
The Spanish Renaissance architecture, which flourished from the 14th to the 16th century, is characterized by a fusion of classical Roman design, symmetrical decoration, and Christian motifs like statues.
The classical entrance bay is drawn from Italian Renaissance architecture, and the tower-flanked façade borrows from the French chateau style. The overall impression is austere and foreboding—an expression of Philip II’s fervent religiosity and imperial power.
The Spanish Renaissance is characterized by the survival of Gothic and Moorish forms and taste, and periodization, which was adopted later than in Italy, since the classicist language did not consolidate until the cinquecento and lasted until well into the seicento.
In Spain, Renaissance architecture developed around three styles. The Plateresque is uniquely Spanish, highly decorative, and recalls the meticulous work of silversmiths on metal.
Santa Cruz Palace (1486–1491) in Valladolid is considered to be the earliest extant building of the Spanish Renaissance. The Spanish Renaissance was a movement in Spain, emerging from the Italian Renaissance in Italy during the 14th century, that spread to Spain during the 15th and 16th centuries. [1]
Renaissance Architecture. The ideas promoted in Italy during the Renaissance never managed to fully take root in Spain. Consequently, the life span of Renaissance architecture proper, in an almost purist sense, was rather short.
Plateresque, (“Silversmith-like”), main architectural style in Spain during the late 15th and the 16th centuries, also used in Spain’s American colonies. Cristóbal de Villalón first used the term in 1539 while comparing the richly ornamented facade of the Cathedral of León to a silversmith’s.
Highly ornamented facades, classical Roman style, symmetrical embellishment, and Christian symbols such as statues are all common features of Renaissance Spanish architecture.