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2/4: The dew dropping morn: 33: O glücklich Paar, und glücklich immerfort: Recitative secco: Tenor: O happy pair, and ever happy henceforth: 34: Singt dem Herren alle Stimmen! Chorus: B-flat major: Andante: Sing the Lord, ye voices all: Des Herren Ruhm, er bleibt in Ewigkeit: Chorus (fugue) with soli: S A T B: Allegro: The praise of the Lord ...
Second Genesis is the second album by jazz saxophonist Wayne Shorter recorded by the Vee-Jay label in 1960 but not released until 1974. [ 4 ] [ 5 ] It was his second session as leader, performing with his Jazz Messengers boss Art Blakey on drums, pianist Cedar Walton and bassist Bob Cranshaw .
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Wayning Moments is the third album by saxophonist Wayne Shorter (and his final album for Vee-Jay Records), showcasing Wayne playing hard bop with trumpeter Freddie Hubbard, pianist Eddie Higgins, bassist Jymie Merritt and drummer Marshall Thompson.
2nd version of B.11/2, B.160/7 152/4: Love Will Never Lead Us to that Happy End (Ó, naší lásce nekvete to vytoužené štěstí) Poco adagio: 3rd version of B.11/8, B.123/4, B.160/1 152/5: The Old Letter in My Book (Zde hledím na tvůj drahý list) Andante: 2nd version of B.11/12 152/6: O, Lovely Golden Rose (Ó, zlatá růže spanilá ...
"Quartet No. 1" uses a 1-chord (G altered) solo vamp over a rock beat in 3/4, and a repeated theme that uses stacked fourths. The third track, "Quartet No. 2 (Part I)" is a ballad , dedicated to jazz pioneer Duke Ellington , incorporating many of the Western classical harmonies and tensions that Ellington used in much of his playing.
The Naxos Quartets are a series of ten string quartets by the English composer Peter Maxwell Davies. They were written between 2001 and 2007 to a commission from Naxos Records. In 2001 the Maggini Quartet was appointed to record all ten for the record label. The first quartet was premiered by the Magginis at the Wigmore Hall on 17 October 2002 ...
When Mendelssohn composed his octet, it was a rather new genre, and he may have been inspired by Louis Spohr's Double Quartet in D minor, Op. 65. [1] But Spohr's double quartet was written with the two quartets playing apart from each other; Mendelssohn's octet is an undivided ensemble. [ 2 ]