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Chalmers Edward "Spanky" Alford (May 22, 1955 – March 24, 2008) was an American gospel, jazz, and neo-soul guitarist. Alford was born in Philadelphia. He was well known for his playing style, utilizing chord embellishments.
Upload file; Permanent link; Page information; Cite this page; Get shortened URL; Download QR code; Print/export Download as PDF; ... Chord type Major: Major chord ...
The song "Ode to Mel Bay" (written and first recorded by Michael "Supe" Granda of the Ozark Mountain Daredevils and featured on the album The Day Finger Pickers Took Over the World by Tommy Emmanuel and Chet Atkins), is a light-hearted song about Mel Bay's encyclopedia of guitar chords and the books in general.
The shout music tradition originated within the church music of the Black Church, parts of which derive from the ring shout tradition of enslaved people from West Africa.As these enslaved Africans, who were concentrated in the southeastern United States, incorporated West African shout traditions into their newfound Christianity, the Black Christian shout tradition emerged—albeit not in all ...
When he approached the three major music publishers in New York City, they turned him down, saying there was no future in the guitar. [3] In 1947, he formed Mel Bay Publications and wrote the first book, The Orchestral Chord System for Guitar. This book is still in print under the title Rhythm Guitar Chord System.
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The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
"Carolina Shout" is a song written by James P. Johnson. [1] [2] Johnson's 1921 phonograph recordings of his own compositions, including "Carolina Shout" as well as "Harlem Strut", "Keep Off the Grass" and " Worried and Lonesome Blues" were, along with Jelly Roll Morton's Gennett recordings of 1923, among the first jazz piano solos to be put on record.