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The term aesthetics was appropriated and coined with new meaning by the German philosopher Alexander Baumgarten in his dissertation Meditationes philosophicae de nonnullis ad poema pertinentibus (English: "Philosophical considerations of some matters pertaining the poem") in 1735; [7] Baumgarten chose "aesthetics" because he wished to emphasize ...
Experimental aesthetics is the second oldest research area in psychology, psychophysics being the only field which is older. [1] In his central work Introduction to Aesthetics (Vorschule der Ästhetik) Fechner describes his empirical approach extensively and in detail. Experimental aesthetics is characterized by a subject-based, inductive approach.
Lectures and Conversations on Aesthetics, Psychology, and Religious Belief (German: Vorlesungen und Gespräche über Ästhetik, Psychoanalyse und religiösen Glauben) is a series of notes transcribed by Yorick Smythies, Rush Rhees, and James Taylor from assorted lectures by Ludwig Wittgenstein, and published in 1966. [1]
Aesthetic emotions are emotions that are felt during aesthetic activity or appreciation. These emotions may be of the everyday variety (such as fear, wonder or sympathy) or may be specific to aesthetic contexts. Examples of the latter include the sublime, the beautiful, and the kitsch. In each of these respects, the emotion usually constitutes ...
The Aesthetic Mind: Philosophy and Psychology is a 2011 book edited by Elisabeth Schellekens and Peter Goldie. The contributors try to provide a new understanding of aesthetics and the experience of art based on philosophical reflections and evidence from empirical sciences .
Theodor Lipps (German:; 28 July 1851 – 17 October 1914) was a German philosopher, known for his theory regarding aesthetics, creating the framework for the concept of Einfühlung (), defined as, "projecting oneself onto the object of perception."
The processing fluency theory of aesthetic pleasure emphasizes the interaction between the viewer and an object in that it integrates theories and a wide range of empirical evidence that focus on effects of objective stimulus attributes on perceived beauty [5] with those that emphasize the role of experience, for example by invoking ...
Aesthetic reading differs from efferent reading in that the former describes a reader coming to the text expecting to devote attention to the words themselves, to take pleasure in their sounds, images, connotations, etc. Efferent reading, on the other hand, describes someone, "reading for knowledge, for information, or for the conclusion to an ...