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April 24, 1963: How the West Was Won: How the West Was Won returned to number one in its ninth week of release [14] 18: May 1, 1963 [15] 19: May 8, 1963 [16] 20: May 15, 1963 [17] 21: May 22, 1963 [18] 22: May 29, 1963 [19] 23: June 5, 1963: 55 Days at Peking [20] 24: June 12, 1963: How the West Was Won: How the West Was Won returned to number ...
March 1963 1 March High and Low ; 3 March California; The Long Ships; 4 March In the Cool of the Day; 6 March Diary of a Madman; Papa's Delicate Condition; 7 March I Could Go On Singing; 15 March House of the Damned; 21 March The Balcony; 26 March Operation Bikini; 27 March Come Fly with Me; The Courtship of Eddie's Father; 28 March The Birds ...
Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a style of Hollywood crime dramas that emphasizes cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German expressionist ...
United Artists. 6 Academy Award nominations with 1 win; top-grossing film of 1963 Jason and the Argonauts: Don Chaffey: Todd Armstrong, Nancy Kovack, Honor Blackman: Fantasy: Columbia: Johnny Cool: William Asher: Henry Silva, Elizabeth Montgomery, Jim Backus: Crime: United Artists: Kings of the Sun: J. Lee Thompson: Yul Brynner, George Chakiris ...
California is a 1963 American Western film directed by Hamil Petroff and starring Jock Mahoney and Faith Domergue. [1] Plot. Revolutionaries rise up against the ...
The film score was composed, arranged and conducted by Billy May, and the soundtrack album was released on the United Artists label in 1963. [5] Allmusic's Steven McDonald noted "This soundtrack manages to mix the early '60s caper-flick brand of jazz with the darker feel of 1950s film noir – a genre to which Johnny Cool was a deliberate ...
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
Beyond the trenchcoat [clarification needed] and film noir, spy films expanded with worldly settings and hi-tech gadgets, such as the James Bond films Dr. No (1962) or Goldfinger (1964) and Thunderball (1965). This Spy mania extended throughout the world with many countries notably Italy and Spain producing many of their own fantastical spy films.