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Morris dancers with handkerchiefs in York. Morris dancing is a form of English folk dance. It is based on rhythmic stepping and the execution of choreographed figures by a group of dancers in costume, usually wearing bell pads on their shins, their shoes or both. A band or single musician, also costumed, will accompany them.
Silurian Border Morris Men, at Saddleworth Rushcart, August 2013. Multiple theories exist about the origins of the theatrical practice of blackface as a caricature of black people. One interpretation is that it can be traced back to traditions connected with Morris dancing. Another interpretation is that traditionally the use of soot to blacken ...
Morris: A Life with Bells On was written by Charles Thomas Oldham (known as Chaz Oldham), who also co-produced it with his wife, the film's director Lucy Akhurst.The film's production company was Twist Films, set up by Oldham and Akhurst.
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Carillon of a morris dancer over a jeweler in Munich. Moresca (Italian), morisca (Spanish), mourisca (Portuguese) or moresque, mauresque (French), also known in French as the danse des bouffons, is a dance of exotic character encountered in Europe in the Renaissance period. This dance usually took form of medieval wars in Spain between Moors ...
Like the previous Morris On (1972) and subsequent "Descendant Of" Morris On albums, it features English Morris dance tunes and songs, played with a combination of traditional instruments (concertina, melodeon, fiddle, etc.) and modern ones (electric guitar, bass, drums). In common with later records, dancers complete with bells and sticks were ...
Twenty-six years after recording "Son Of Morris On", Hutchings put together an ensemble to play another selection of Morris dance tunes. Compared to previous efforts this is less electric, and more acoustic. As before there are real Morris sides (Adderbury, Stroud Morris and The Outside Capering Crew) dancing with their own musicians. Although ...
Country Gardens" is an old English folk tune traditionally used for Morris dancing. It was introduced by traditional folk musician William Kimber to Cecil Sharp near the beginning of the twentieth century, then popularised by a diverse range of musicians from Percy Grainger and David Stanhope to Jimmie Rodgers.