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Spirituals (also known as Negro spirituals, African American spirituals, [1] Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, [2] [3] [4] which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade [5] and for centuries afterwards, through ...
Another song with a reportedly secret meaning is "Now Let Me Fly" [3] which references the biblical story of Ezekiel's Wheels. [4] The song talks mostly of a promised land. This song might have boosted the morale and spirit of the slaves, giving them hope that there was a place waiting that was better than where they were.
Gospel Plow" (also known as "Hold On" and "Keep Your Hand on the Plow") is a traditional African American spiritual. It is listed in the Roud Folk Song Index , number 10075. The title is biblical, based on Luke 9:62.
The tune known as "Roll, Jordan, Roll" may have its origins in the hymn "There is a Land of Pure Delight" written by Isaac Watts [1] in the 18th century. It was introduced to the United States by the early 19th century, in states such as Kentucky and Virginia, as part of the Second Great Awakening, and often sung at camp meetings.
The Jubilee Singers then popularized the songs during a tour of the United States and Europe. "Steal Away" is a standard Gospel song , and is found in the hymnals of many Protestant denominations. An arrangement of the song is included in the oratorio A Child of Our Time , first performed in 1944, by the classical composer Michael Tippett (1908 ...
This generated two distinctive African American slave musical forms, the spiritual (sung music usually telling a story) and the field holler (sung or chanted music usually involving repetition of the leader's line). [1] We Are Climbing Jacob's Ladder is a spiritual. [1] As a folk song originating in a repressed culture, the song's origins are lost.
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"I'm Working on a Building" is a song in both the African American spiritual and southern gospel traditions. The song has become a standard of the genres. It has been recorded many times, by artists such as The Carter Family, [1] Bill Monroe, [2] Elvis Presley, [3] the Oak Ridge Boys, [3] B. B. King, [4] John Fogerty, [5] The Seldom Scene, [6] and Theo Lawrence.