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The Neumann U 47 is a large-diaphragm condenser microphone. It is one of the most famous studio microphones and was Neumann's first microphone after the Second World War. The original series, manufactured by Georg Neumann GmbH between 1949 and 1965, employed a tube design; early U 47s used the M 7 capsule, then replaced by the K 47 from 1958.
The Neumann U 87 is a poly-directional large-diaphragm condenser microphone. Originally introduced in 1967, a version of the U 87 is still produced by Georg Neumann GmbH. The U 87 became an industry standard recording microphone, a reputation that continues to endure. [1] [2] The U 87 was inducted into the TECnology Hall of Fame in 2006. [3]
During the period from 1953 to 1956 Neumann introduced a series of small condenser microphones (KM 53, 54 and 56) especially for use in television broadcast studios. In 1957 they introduced the SM 2 microphone, which was essentially a pair of KM 56 microphones in a single body, arranged so that their directional patterns could be controlled ...
AKG C451B small-diaphragm condenser microphone RF condenser microphones use a comparatively low RF voltage, generated by a low-noise oscillator. The signal from the oscillator may either be amplitude modulated by the capacitance changes produced by the sound waves moving the capsule diaphragm, or the capsule may be part of a resonant circuit ...
He discovered that some molecules of air "stick" to the object. The place right next to the object was called the "boundary layer", because it was between the object (no movement of air) and the free-flowing stream of air beyond it. Two examples of different boundary mics (top) and a diagram of the elements of a boundary microphone.
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Gone are the days of the sad mocktail — the cranberry cocktail topped with a bit of seltzer or a blend of every juice behind the bar. A growing number of bartenders are paying just as much ...
A didgeridoo miked with a small phantom powered condenser microphone that clips onto the instrument. There are a number of well-developed microphone techniques used for recording musical, film, or voice sources or picking up sounds as part of sound reinforcement systems. The choice of technique depends on a number of factors, including: