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Download as PDF; Printable version; In other projects ... C minor is a minor scale based on C, ... The C harmonic minor and melodic minor scales are:
An improviser might then choose a scale containing these four notes, such as the G whole tone scale, the G octatonic scale, or a mode of either D or A ♭ melodic minor ascending. In each case, the scale contains the chord tones G–B–D ♭ –F and is said to be compatible with it.
The jazz minor scale or ascending melodic minor scale is a derivative of the melodic minor scale, except only the ascending form of the scale is used. As the name implies, it is primarily used in jazz [ citation needed ] , although it may be found in other types of music as well.
The corresponding scale for the C 7 ♯ 11 chord, with added ninth and thirteenth tensions, is C lydian dominant, the fourth mode of the ascending melodic minor. [ 7 ] Originating with George Russell 's Lydian Chromatic Concept of Tonal Organization (1959), [ 8 ] the chord-scale system is now the "most widely used method for teaching jazz ...
Dominant seventh chord on C: C 7 Play ⓘ.. Jazz harmony is the theory and practice of how chords are used in jazz music. Jazz bears certain similarities to other practices in the tradition of Western harmony, such as many chord progressions, and the incorporation of the major and minor scales as a basis for chordal construction.
A melodic tone can often be harmonized in a variety of different ways. For example, an E might be harmonized with an E major chord (E – G ♯ – B). In this case, the melodic tone is acting as the root of the chord. That same E might be harmonized with a C major chord (C – E – G), making it the third of the chord.
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The scale may be thought of as a major scale with an augmented fourth and fifth, or as the relative to the melodic minor ascending scale (C Lydian augmented and A melodic minor ascending share the same notes).