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The jazz minor scale or ascending melodic minor scale is a derivative of the melodic minor scale, except only the ascending form of the scale is used. As the name implies, it is primarily used in jazz [citation needed], although it may be found in other types of music as well. It may be derived from the major scale with a minor third, [1 ...
the ascending melodic minor scale or jazz minor scale (also known as the Ionian ♭ 3 or Dorian ♯ 7): This form of the scale is also the 5th mode of the acoustic scale. the descending melodic minor scale: This form is identical to the natural minor scale . The ascending and descending forms of the A melodic minor scale are shown below:
B 7 (♭ 9 or ♯ 9, ♯ 11, ♭ 13) chord (functions as a dominant with the fifth of the chord replaced by ♯ 11 or ♭ 13, may also be used to harmonize a vii ø chord in melodic minor). This scale is the same as B ♭ Ionian (as the VII scale of I (C) dorian), but the root itself raised a half-step to B ♮ .
This is seen, for example, in melodic minor scale harmony, which is based on the seven rotations of the ascending melodic minor scale, yielding some interesting scales as shown below. The "chord" row lists tetrads that can be built from the pitches in the given mode [ 80 ] (in jazz notation , the symbol Δ is for a major seventh ).
Chord-scale system. Heptatonic scale. Jazz scale. List of chord progressions. List of chords. List of musical intervals. List of pitch intervals. Arabian maqam. Modes of limited transposition.
The Phrygian dominant scale (a mode of the harmonic minor scale) The Arabic scales; The Hungarian minor scale; The Byzantine music scales (called echoi) The Persian scale; Scales such as the pentatonic scale may be considered gapped relative to the diatonic scale. An auxiliary scale is a scale other than the primary or original scale.
Dominant seventh chord normally paired with mixolydian scale, [5] the fifth mode of the major scale. The scales commonly used today consist of the seven modes of the diatonic scale, the seven modes of the melodic minor scale, the diminished scales, the whole-tone scale, and pentatonic and bebop scales. [7]
A borrowed chord (also called mode mixture, [ 1 ]modal mixture, [ 2 ]substituted chord, [ 3 ]modal interchange, [ 1 ] or mutation[ 4 ]) is a chord borrowed from the parallel key (minor or major scale with the same tonic). Borrowed chords are typically used as "color chords", providing harmonic variety through contrasting scale forms, which are ...