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The two most common types of kyūsu are yokode kyūsu (横手急須, side hand(le) teapot), which has a side handle and which is the more common type, and ushirode kyūsu (後手急須, back hand(le) teapot), which has a rear handle, just like teapots in other parts of the world; [1] there are also uwade kyūsu (上手急須, top hand(le) teapot).
Kilns were traditionally built at the sites of clay deposits, and most studio potters still use local clays, having developed a range of glazes and decoration techniques especially suited to that clay. Raw materials found in the Japanese archipelago range from those suitable for earthenwares to more refractory kaolins.
Japanese dragons (16 P) T. Tiamat (2 C, 15 P) Pages in category "Asian dragons" The following 12 pages are in this category, out of 12 total.
The list of Japanese ceramics sites (日本の陶磁器産地一覧, Nihon no tōjiki sanchi ichiran) consists of historical and existing pottery kilns in Japan and the Japanese pottery and porcelain ware they primarily produced. The list contains kilns of the post-Heian period.
Raku ware (楽焼, raku-yaki) is a type of Japanese pottery traditionally used in Japanese tea ceremonies, most often in the form of chawan tea bowls. It is traditionally characterised by being hand-shaped rather than thrown, fairly porous vessels, which result from low firing temperatures, lead glazes and the removal of pieces from the kiln ...
Nerikomi is a contemporary Japanese term. Marbling ceramic techniques were first found used in Egypt and China and through the Romans to the West. Early ceramics in Stoke-on-Trent use more than one colour of clay for decorative effect. In England this was referred to as agateware.
They are usually made of purple clay or zisha, a type of prized clay from the region near Yixing in Jiangsu province, China. Similar to Yixing teapots made from the same clay, tea pets are unglazed, and are mostly monochromatic with a rough surface. [2] A tea pet is typically placed on a tea tray and has tea poured over it during tea time. Due ...
Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...