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The painters do not use pencil or charcoal for the preliminary drawings. They are so expert in the line that they simply draw directly with the brush either in light red or yellow. Then the colours are filled in. The final lines are drawn and the patta is given a lacquer coating to protect it from weather, thus making the painting glossy.
The work depicts Radha, Krishna, tree, flower, woman, and peacocks. It expresses their love through depiction of flowering trees, birds, and entwining clothing. [3] It is the only known Kota depiction of a scene from Hindu scripture. [4] The story was first told in Bhagavata Purana, although Radha was initially unidentified. "Radha, it was held ...
Shri Radha Saharsnama Strotam: The prayer has more than 1000 names of Radha and is part of the Sanskrit scripture Narada Panchratra. [148] Radha Kripa Kataksh Strotam: This is the most famous stotra in Vrindavana. It is written in Ūrdhvāmnāya-tantra and is believed to be spoken by Śiva to Parvati.
Radha-Krishna (IAST rādhā-kṛṣṇa, Sanskrit: राधा कृष्ण) is the combined form of the Hindu god Krishna with his chief consort and shakti Radha.They are regarded as the feminine as well as the masculine realities of God, [7] in several Krishnaite traditions of Vaishnavism.
[7] [90] His paintings depict the idealized lovers Radha and Krishna who "are both depicted with impossibly slender waists, arching backs and sloping profiles with huge eyes upturned at the corner (the Radha figure supposedly based on Savant Singh's mistress Bani Thani); these mannerisms permeate Kishangarh painting throughout our period". [88]
The following other wikis use this file: Usage on fr.wikipedia.org Goloka; Usage on id.wikipedia.org Goloka; Usage on kn.wikipedia.org ಗೋಲೋಕ
The appearance of the Radha Ramana is described by Gopala Bhatta Goswami biographer Narahari in a mere four verses (Bhakti Ratnakara 4.315-19). [5] Narahari Chakravarti puzzles over Krishnadasa's near-silence over Gopala Bhatta, concluding that Gopala Bhatta requested his junior, Krishnadasa Kaviraja to be omitted from the book out of humility (1.222-3).