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First page of the first volume of the Gutenberg Bible, printed with an early textur typeface c. 1455. In this copy the decorative colored initials were hand-lettered separately by a scribe. Typography, type-founding, and typeface design began as closely related crafts in mid-15th-century Europe with the introduction of movable type printing at ...
The following is a list of typefaces designed by Frederic Goudy.. Goudy was one of America's most prolific designers of metal type. He worked under the influence of the Arts and Crafts movement, and many of his designs are old-style serif designs inspired by the relatively organic structure of typefaces created between the fifteenth and eighteenth centuries, following the lead of earlier ...
The font in Winchester Cathedral – the "most famous" of the Tournai fonts in England [14] – illustrates scenes from the life of St Nicholas of Myra on two faces, with three roundels of birds on the third and a roundel of a quadruped with birds on either side on the fourth. [14] It is the only font in the cathedral, and is located in the nave.
One influential example in the late nineteenth century was William Morris's Kelmscott Press, which commissioned new custom fonts such as his Golden Type on medieval and early Renaissance models. Many fine press printers imitated his model, and while some printers such as Stanley Morison in the twentieth century found his work excessive, it was ...
Florentine poet Petrarch was one of the few medieval authors to have touched on the handwriting of his time; in two letters [5] he criticized the current scholastic hand, [a] with its protracted strokes (artificiosis litterarum tractibus) and exuberant (luxurians) letter-forms amusing the eye from a distance, but fatiguing on closer exposure ...
A variety of Clarendon revivals have been made since the original design, often adapting the design to different widths and weights. The original Clarendon design, a quite condensed design, did not feature an italic, and many early Clarendon designs, such as wood type headline faces, have capitals only with no lower-case letters, leaving many options for individual adaptation.
Various German language blackletter typefaces English blackletter typefaces highlighting differences between select characters Modern interpretation of blackletter script in the form of the font "Old English" which includes several anachronistic glyphs, such as Arabic numerals, ampersand (instead of Tironian et) and several punctuation marks ...
While Goudy had already designed 18 other typefaces, it was one of Goudy's most successful early designs in his own style. [4] The regular or roman style was designed in 1911, the italic in 1918; bold styles followed in 1924. [5] Kennerley Old Style's italic and swash capitals. Goudy was a fine art printer and later a prolific typeface designer.