Ads
related to: japanese city pop album covers
Search results
Results From The WOW.Com Content Network
Hiroshi Nagai (Japanese: 永井博, born December 22, 1947) is a Japanese graphic designer and illustrator, known for his cover designs of city pop albums in the 1980s, which established the recognizable visual aesthetic associated with the loosely defined music genre.
The music on the album has been described as city pop, a slick commercial sound of music from late 1970s and early 1980s Japan. [2] Although the genre is often described as being about Japan embracing an affluent consumerist lifestyle, Mark "Frosty" McNeill stated that the style is "more of a vibe classification than a collective movement."
Sugar Babe's album "SONGS" (1975) is also often said to be a pioneer of city pop, although the term "city pop" was not in widespread use during their time. [ 20 ] In a book published in 2002, music critic Yutaka Kimura redefined city pop(s) as "Japanese city pop," attributing its origin to Happy End (1969-1972), [ 21 ] despite Happy End itself ...
"Plastic Love" is a city pop song, and has been described as the "best-known example" of the genre. City pop as a genre is associated with the strong Japanese economy of the 1970s and 1980s, being musically tied to the "cosmopolitan lifestyle" and blending numerous genres of western popular music together. [3]
As a solo artist, Yamashita has released 13 original studio albums, five cover albums, two live albums, multiple compilations, and over 50 singles. He is the most commercially successful Japanese male solo recording artist in the history of the Japanese album chart, selling approximately 9 million albums in total.
The following is a list of artists and bands associated with the city pop music genre during the late 1970s and 1980s (not necessarily solely city pop artists). Groups and artists with aliases are listed by the first letter in their name, and individuals are listed by their surname.
Sunshower (stylized in all caps) is the second studio album by Japanese singer-songwriter Taeko Ohnuki, released on July 25, 1977. The album combines elements of J-pop, smooth jazz, rock and city pop. Despite being a commercial failure, with low sales at the time of its release, Sunshower slowly garnered critical acclaim and attention.
Eizin Suzuki instead worked on the album cover art. [1] In the 2002 reissue of the album, four bonus songs were added into the tracklist. One of the bonus tracks "Every Night" was originally from the album Miss M, Yamashita also recorded a cover of the song but ended up being unpublished, it was later remastered and was included in the reissue.